{"id":890,"date":"2026-01-19T17:55:54","date_gmt":"2026-01-19T16:55:54","guid":{"rendered":"https:\/\/antoineoury.fr\/?p=890"},"modified":"2026-01-19T17:55:54","modified_gmt":"2026-01-19T16:55:54","slug":"mon-top-2025","status":"publish","type":"post","link":"https:\/\/antoineoury.fr\/index.php\/2026\/01\/19\/mon-top-2025\/","title":{"rendered":"Mon top 2025"},"content":{"rendered":"\n<p><strong>Films et s\u00e9ries<\/strong><\/p>\n\n\n\n<p><em>Decision to Leave<\/em>, Park Chan-wook, 2022<\/p>\n\n\n\n<p><em>Dune, partie 1<\/em>, Denis Villeneuve, 2021<\/p>\n\n\n\n<p><em>Nosferatu<\/em>, Robert Eggers, 2024<\/p>\n\n\n\n<p><em>Past Lives<\/em>, Celine Song, 2023<\/p>\n\n\n\n<p><em>Dans la cuisine des Nguyen<\/em>, St\u00e9phane Ly-Cuong, 2025<\/p>\n\n\n\n<p><em>Newsreader<\/em>, Michael Lucas, 2021<\/p>\n\n\n\n<p><em>Les Graines du figuier sauvage<\/em>, Mohammad Rasoulof, 2024<\/p>\n\n\n\n<p><em>Superman<\/em>, James Gunn, 2025<\/p>\n\n\n\n<p><em>Eddington<\/em>, Ari Aster, 2025<\/p>\n\n\n\n<p><em>Black Dog<\/em>, Hu Guan, 2024<\/p>\n\n\n\n<p><em>Weapons<\/em>, Zach Cregger, 2025<\/p>\n\n\n\n<p><em>Stop Making Sense<\/em>, Jonathan Demme, 1984<\/p>\n\n\n\n<p><em>Sinister<\/em>, Scott Derrickson, 2012<\/p>\n\n\n\n<p><em>Task<\/em>, Brad Ingelsby, 2025<\/p>\n\n\n\n<p><em>Big Little Lies<\/em>, David E. Kelley, 2017<\/p>\n\n\n\n<p><strong>Jeux vid\u00e9o<\/strong><\/p>\n\n\n\n<p><em>Still Wakes the Deep<\/em>, The Chinese Room, 2024<\/p>\n\n\n\n<p><em>Balatro<\/em>, LocalThunk, 2024<\/p>\n\n\n\n<p><em>Robocop Rogue City<\/em>, Teyon, 2023<\/p>\n\n\n\n<p><em>Oblivion Remastered<\/em>, Virtuos et Bethesda Game Studios, 2025<\/p>\n\n\n\n<p><em>Clair Obscur: Expedition 33<\/em>, Sandfall Interactive, 2025<\/p>\n\n\n\n<p><strong>Livres<\/strong><\/p>\n\n\n\n<p><em>Derni\u00e8re chance pour trouver Duke<\/em>, Shang Zang, 2025<\/p>\n\n\n\n<p><em>Yan<\/em>, Chang Sheng, 2024<\/p>\n\n\n\n<p><em>Ce qui sera<\/em>, Johanna Schaible, 2024<\/p>\n\n\n\n<p><em>L&rsquo;\u00e9t\u00e9 fant\u00f4me<\/em>, Elisabeth Holleville, 2018<\/p>\n\n\n\n<p><em>Sound of Vinyl<\/em>, Ry\u00f4ichir\u00f4 Kezuka, 2025<\/p>\n\n\n\n<p><em>City Hunter, vol.1<\/em>, Tsukasa H\u014dj\u014d, 2005<\/p>\n\n\n\n<p><em>Shin Zero<\/em>, Guillaume Singelin, Mathieu Bablet, 2025<\/p>\n\n\n\n<p><em>Orbital<\/em>, Samantha Harvey, 2024<\/p>\n\n\n\n<p><em>Les campagnes hallucin\u00e9es<\/em>, Emile Verhaeren, 1893<\/p>\n\n\n\n<p><em>Poems<\/em>, Nikki Giovanni<\/p>\n\n\n\n<p><em>Carmilla<\/em>, Sheridan Le Fanu, 1872<\/p>\n\n\n\n<p><em>Les coups<\/em>, Jean Meckert, 1941<\/p>\n\n\n\n<p><em>Les mains de Midas<\/em>, Jack London, 2024<\/p>\n\n\n\n<p><em>L&rsquo;ordre du jour<\/em>, Eric Vuillard, 2017<\/p>\n\n\n\n<p><em>Hellraiser<\/em>, Clive Barker, 1986<\/p>\n\n\n\n<p><em>Si c&rsquo;est un homme<\/em>, Primo Levi, 1947<\/p>\n\n\n\n<p><em>Terroriser<\/em>, Junji Ito, 2025<\/p>\n\n\n\n<p><em>Rue des Prairies<\/em>, Ren\u00e9 Lef\u00e8vre, 1955<\/p>\n\n\n\n<p><em>H\u014dzuki<\/em>, Aki Shimazaki, 2021<\/p>\n\n\n\n<p><strong>Musique<\/strong><\/p>\n\n\n\n<p><em>Logique pt.1<\/em>, Limsa d&rsquo;Aulnay, 2020<\/p>\n\n\n\n<p><em>ten days<\/em>, Fred again&#8230;, 2024<\/p>\n\n\n\n<p><em>Still Local<\/em>, Saint\u00e9, 2024<\/p>\n\n\n\n<p><em>Hallucinating Love<\/em>, Maribou State, 2025<\/p>\n\n\n\n<p><em>1er Mouvement<\/em>, H Jeune Crack, 2025<\/p>\n\n\n\n<p><em>Dia<\/em>, Ela Minus, 2025<\/p>\n\n\n\n<p><em>Still Some Light<\/em>, Bill Hay, 2022<\/p>\n\n\n\n<p><em>Low-Life<\/em>, New Order, 1985<\/p>\n\n\n\n<p><em>Rising<\/em>, Mark Almond, 1972<\/p>\n\n\n\n<p><em>Warhaus<\/em>, Warhaus, 2017<\/p>\n\n\n\n<p><em>Dr\u00f4le d&rsquo;oiseau<\/em>, Isha, 2025<\/p>\n\n\n\n<p><em>Odysseus<\/em>, Herman D\u00fcne, 2025<\/p>\n\n\n\n<p><em>Etazhi<\/em>, Molchat Domat, 2018<\/p>\n\n\n\n<p><em>Lucha Libre<\/em>, Ry&rsquo;s, 2025<\/p>\n\n\n\n<p><em>Too Slow to Disco, The Sunset Manifesto, vol.2<\/em>, 2025<\/p>\n\n\n\n<p><em>Stop Making Sense<\/em>, Talking Heads, 1984<\/p>\n\n\n\n<p><em>Industry Plant<\/em>, Miki, 2025<\/p>\n\n\n\n<p><em>The Animal<\/em>, Blue Lake, 2025<\/p>\n\n\n\n<p><em>The Dream<\/em>, The Favors, 2025<\/p>\n\n\n\n<p><em>Love Dealer<\/em>, Lack of Afro, 2025<\/p>\n\n\n\n<p><em>The Art of Loving<\/em>, Olivia Dean, 2025<\/p>\n\n\n\n<p><em>Affection<\/em>, Bullion, 2024<\/p>\n\n\n\n<p><em>Una Lunghissima Ombra<\/em>, Andreas de Laszlo, 2025<\/p>\n\n\n\n<p><em>Bitume Caviar, vol. 2<\/em>, Isha et Limsa d&rsquo;Aulnay, 2025<\/p>\n\n\n\n<p><em>The Universe Smiles Upon You II<\/em>, Khruangbin, 2025<\/p>\n\n\n\n<p><em>Sad and Beautiful World<\/em>, Mavis Staples, 2025<\/p>\n\n\n\n<p><em>Woman of Faces<\/em>, Celeste, 2025<\/p>\n\n\n\n<p><em>Wade In the Water<\/em>, Ramsey Lewis, 1966<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Films et s\u00e9ries Decision to Leave, Park Chan-wook, 2022 Dune, partie 1, Denis Villeneuve, 2021 Nosferatu, Robert Eggers, 2024 Past Lives, Celine Song, 2023 Dans la cuisine des Nguyen, St\u00e9phane Ly-Cuong, 2025 Newsreader, Michael Lucas, 2021 Les Graines du figuier sauvage, Mohammad Rasoulof, 2024 Superman, James Gunn, 2025 Eddington, Ari Aster, 2025 Black Dog, Hu &hellip; <a href=\"https:\/\/antoineoury.fr\/index.php\/2026\/01\/19\/mon-top-2025\/\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Mon top 2025<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[321,15,16,32,295,48,89,123,124,294,139,159,297,274],"class_list":["post-890","post","type-post","status-publish","format-standard","hentry","category-miscellanee","tag-321","tag-album","tag-albums","tag-bande-dessinee","tag-bd","tag-cinema","tag-films","tag-jeu-video","tag-jeux-video","tag-lectures","tag-livre","tag-musique","tag-series","tag-top"],"_links":{"self":[{"href":"https:\/\/antoineoury.fr\/index.php\/wp-json\/wp\/v2\/posts\/890","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antoineoury.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/antoineoury.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/antoineoury.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/antoineoury.fr\/index.php\/wp-json\/wp\/v2\/comments?post=890"}],"version-history":[{"count":3,"href":"https:\/\/antoineoury.fr\/index.php\/wp-json\/wp\/v2\/posts\/890\/revisions"}],"predecessor-version":[{"id":893,"href":"https:\/\/antoineoury.fr\/index.php\/wp-json\/wp\/v2\/posts\/890\/revisions\/893"}],"wp:attachment":[{"href":"https:\/\/antoineoury.fr\/index.php\/wp-json\/wp\/v2\/media?parent=890"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/antoineoury.fr\/index.php\/wp-json\/wp\/v2\/categories?post=890"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/antoineoury.fr\/index.php\/wp-json\/wp\/v2\/tags?post=890"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}